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1. Pastorale - Boccherini*, Pepe Romero, Academy Of St. Martin-in-the-Fields Chamber Ensemble* - Gi

27.01.2020 JoJorisar 7 Comments


Download 1. Pastorale - Boccherini*, Pepe Romero, Academy Of St. Martin-in-the-Fields Chamber Ensemble* - Gi
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Label: Philips Classics - 464 123-2 • Series: Eloquence • Format: CD • Country: Germany • Genre: Classical • Style: Classical


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7 thoughts on “ 1. Pastorale - Boccherini*, Pepe Romero, Academy Of St. Martin-in-the-Fields Chamber Ensemble* - Gi ”

  1. Malami says:
    Listen to your favorite songs from Boccherini: Quintets for Guitar & Strings by Pepe Romero & Academy of St. Martin in the Fields Chamber Ensemble Now. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Download our mobile app now.
  2. Malalkree says:
    Luigi Boccherini - Pepe Romero, Academy Of St. Martin-in-the-Fields' Chamber Ensemble* - Guitar Quintets · Gitarrenquintette Nos. 4, 5, & 6 ‎ (CD) Musical Heritage Society MHS X/5(2).
  3. Jurisar says:
    The Best of Boccherini. Decca: Buy 2 CDs or download online. Severino Gazzelloni (flute), Pepe Romero (guitar), Maurice Gendron (cello), I Musici, Academy of St Martin in the Fields ensemble, Orchestra Lamoureux, New Philharmonic Orchestra, Pablo Casals, Raymond Leppard.
  4. Vur says:
    Boccherini: Quintet No.4 for Guitar and Strings in D G - "Fandango" - 1. Pastorale Pepe Romero Academy of St. Martin in the Fields Chamber Ensemble.
  5. Kajilkis says:
    Pepe Romero & Academy of St. Martin in the Fields Chamber Ensemble. Boccherini: Quintet No.1 for Guitar and Strings in D minor G - 4. Finale (Allegro assai. Pepe Romero & Academy of St. Martin in the Fields Chamber Ensemble. Boccherini: Quintet No.3 for Guitar and Strings in B flat, G - 1.
  6. Mokus says:
    Dec 18,  · Old Madrid Views (Boccherini Fandango) part 1 of 2 1. Pastorale; Artist Pepe Romero, Academy of St. Martin in the Fields Chamber Ensemble Artist Pepe Romero, Academy of St. Martin in the.
  7. Aragar says:
    Boccherini's friend and patron the Marquis Benavente asked him to adapt some of his existing chamber works to include a part for the guitar, on which he had some degree of skill. His liberal response reflected both the element of friendship and Boccherini's need for money at the time, which, had he lived at a later time, would have been even more satisfied—these works, which have given.

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